I am an assistant professor of Performance Studies and a Crawley Faculty Fellow at Texas A&M University. My work explores sound-making and auditory practices as avenues for studying the government.
My first book, Sound-Politics in São Paulo (Oxford University Press, 2019), is an ethnographic study of urban noise in the most populous city in Brazil, the Western Hemisphere, and the Southern Hemisphere. In Sound-Politics in São Paulo, I examine environmental noise as a thread to navigate across governmental agencies in the legislative, executive, and judiciary branches. I describe how noise control debates in the city relate to controversies surrounding techno-scientific standards, laws, police enforcement, and judicial decisions. The book focuses on two interrelated processes: first, the series of regulatory mechanisms that turn sounds into the all-embracing “noise” susceptible to state intervention; second, the constant attempts of interested groups in either attaching or detaching specific sounds (musical events, industrial noise, traffic noise, religious sounds, etc.) from regulatory scrutiny. I define the dynamics of both processes as “sound-politics”: the channels through which sounds enter (and leave) the sphere of state regulation.
I am working on a second book on governance, sound, and citizenship in Brazil between the 1930s and the 2010s. This project analyzes in six case studies the mechanisms through which the Brazilian state has deployed sounds for propaganda, torture, crime control, forensic evidence, and political negotiation. The book will provide a new line of inquiry for studying state-civil society relations in Latin America’s largest country.